vocal cords

Say goodbye to strain

What exactly is singing with strain? Basically, it means a singer is over-compressing the vocal cords. Over-compressing is “squeezing” or “pushing” the sound out, instead of simply allowing the sound to release with good cord closure. This can happen a lot when singing high notes. We tend to “reach” or “squeeze” to sing our high … Read more

Singer’s Cough

You have heard the phrase “the show must go on”. Well, for the professional singer with a cough, this is a very stressful ordeal. I experience coughing every winter, at some time or another. It usually starts with a viral infection where my vocal cords become inflamed and covered in excess mucus which causes me … Read more

Knowing your instrument

We know the voice is a delicate little instrument that can easily be damaged when used incorrectly. Did you know the vocal folds (cords) are composed of three elements: muscle, ligament and an outer fleshy mucous membrane. When used correctly, this little instrument can accomplish amazing feats. We can’t see the cords while we sing, … Read more

What is the difference between head voice and falcetto? Does it matter?

In my opinion, it’s all relative, really. Here is my definition of falcetto: The condition of the vocal folds whereby the glottis is large and a lot of air is passing through. Here is my definition of head voice: The condition of the vocal folds whereby the glottis is small(er), and the folds are able to withstand … Read more

Great ladies of voice

Why do we love Adele’s voice so much? Or Whitney Houston, Celine Dion or Christine Aguilera? Sure, it’s because they exude so much drama and passion when they sing, but how do they do that? The ability to portray what you are feeling in a technically correct way is really what we are talking about … Read more

The illusion of power

Too many times I hear over-compressed cords from students who think  they are singing with power. Unfortunately this sound is dull and to be quite blunt … ugly. Over-compressing the cords will only cause students trouble as they try to sing higher, because  they can’t release this sensation without flipping into falcetto. The answer is; … Read more

Should you bridge early or not??

If your goal is to have a thick (chestier) sound in your upper range, then bridging early isn’t going to get you there. Bridging early will help balance your voice, and achieve good cord closure through your entire register. Bridging later will give you the advantage of more mouth and throat resonance with a tilted … Read more

Controlled effort

One of the most important things you can do as a singer is to learn how to balance your voice. In other words, know how to negotiate the first passagio, so you have no issues with the transfer of resonance as you move back and forth through that bridge. Men, your first bridge is around D … Read more

Item added to cart.
0 items - $0.00