Singing

Tilting is good, rising is bad

The ability to tilt the larynx happens at the thyroid cartilage and the cricoid cartilage (in the larynx) which are connected at the cricothyroid joint. There is a space in between that can be either open or closed. Tilting happens when the space is closed. Working on the ‘ng’ sound through your break will work … Read more

Laryngeal rise versus laryngeal tilt………

There’s a big difference between the larynx rising and the larynx tilting. Too much raising of the larynx will only cause you grief. You are basically choking yourself into a squeezed sound with nowhere to resonate. Tilting the larynx, on the other hand, will allow you to sing in your high register because the cords … Read more

Should you bridge early or not??

If your goal is to have a thick (chestier) sound in your upper range, then bridging early isn’t going to get you there. Bridging early will help balance your voice, and achieve good cord closure through your entire register. Bridging later will give you the advantage of more mouth and throat resonance with a tilted … Read more

Mix it

I much prefer to hear a singing voice that is unique and interesting, to a voice that has been trained to sound the same as other “trained” voices. If your plan is singing in a band, or karaoke, or even musical theatre, then beware what “kind” of voice training you get. Radio-friendly voices today are … Read more

Taylor Swift’s voice gets in the mix

If you have been paying attention to Taylor Swift’s range and voice, you will notice some changes happening in her mix. Her first two albums were “strained” in the mix, as she “pulled” her chest voice to manage notes of A, B flat and B above middle C on songs like “Teardrops on My Guitar” … Read more

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